A Christmas Carol - Breaking Barriers
Hello and welcome back!
With Christmas around the corner, it makes sense that we focus on one of the
most iconic stories of the season. I hope you enjoy.
Jai Srinivasan and
Sebastian Ortiz have been facing challenges since they were infants. Both were
diagnosed with cerebral palsy before they turned one, and they both have spent
much of their young lives undergoing therapies and surgeries.
But now, that's all
changed - on November 20th, these young men both began a new journey. They now
are taking turns starring as one of the most visible characters with a
disability in all on theatre: Tiny Tim in the Broadway revival of A
Christmas Carol.
Even before this Broadway revival, A Christmas Carol has long been
an anthem for those with disabilities, with Tiny Tim as not just one of the
most recognizable characters in all of theatre, but one that disability
advocates and disabled actors around the world have been inspired by and aspire to perform one day.
Charles Dickens in the original story described Tim's condition with pity, saying:
Charles Dickens in the original story described Tim's condition with pity, saying:
"Alas for Tiny Tim, he bore a little crutch, and had limbs supported by an iron frame!"
Tiny Tim pushes beyond
this description made by his creator as a character who through the content of
his spirit, his compassion, and his understanding plays the most pivotal part in
changing Scrooge's life and intentions for the better.
A Christmas Carol has been a play that is very near and dear to my heart for several years now. In 2017 and 2018, I was
privileged to be able to perform in productions of a modern adaptation of the
show with Wolfpack Theatre Company in
Hyattsville, Maryland, and their 2019 production opened this past weekend. In the
2017 production, I performed the role of Edward (Fred in the original
production), and in 2018 I performed two roles, Hollis (Edward's Husband), and
Jacob Marley, pictured below.
Playing Marley in
particular has been one of the most challenging yet rewarding roles I have ever
performed. Challenging in that Marley and me (no pun intended) could not be
farther apart in personality, although I do seem to have a habit of playing
these kinds of roles - I find that characters like Marley are some of the best
to play. But Marley was also one of the most rewarding roles I have played in
that it allowed me to completely expose myself and my Spina Bifida.
Marley has always been
the character in A Christmas Carol that represented what could happen to
Scrooge. He is depicted in the books and on stage as being weighed down by
chains that clink together as he walks. Knowing I was wearing those chains and
that they were meant to weigh the character down and act as a physical representation
of the bad choices he made in life, I made the conscious decision to exaggerate
my limp and make my disability more pronounced. This acting choice paid off -
to this day playing Marley has brought me some of the best reviews I have
received.
To know that this
tradition of featuring actors with disabilities in A Christmas Carol is
continuing outside of the semi-professional company I work with and has given
two young actors the opportunity to perform on Broadway warms my heart and
brings me so much joy during this holiday season.
But when you think about it, isn't that the entire point of the
show? In an era where authenticity and representation is slowly but surely
becoming the norm, presenters of some of these productions around the world are
rethinking how they will depict this iconic character, and more often than in
the past it is concluded that Tiny Tim, a role that represents the disabled
community on the stage, should be performed by a child with a disability - this
is a beautiful thing.
I hope you all have a
wonderful holiday. And as Tim says - God Bless Us, Everyone!
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